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OTT & Theatrical Synergy

  • Netflix, Amazon Prime Video, JioCinema, Hotstar strategies
  • Pre-release buzz vs. post-release engagement

Introduction

The entertainment industry has undergone a significant transformation with the rise of over-the-top (OTT) streaming platforms alongside traditional theatrical releases. OTT platforms, such as Netflix, Amazon Prime Video, and Disney+, deliver content directly to viewers via the internet, bypassing conventional distribution channels. Meanwhile, theatrical releases continue to offer the communal, big-screen experience that remains a cornerstone of the film industry.

The synergy between OTT platforms and theatrical releases represents a dynamic shift in content distribution and consumption. Rather than existing as mutually exclusive options, these two modes increasingly complement each other. Theatrical releases can serve as high-profile events that build anticipation and buzz, while OTT platforms offer films a longer lifecycle, reaching wider and more diverse audiences.

This synergy enables filmmakers and studios to maximize revenue, enhance audience engagement, and experiment with new release strategies, such as simultaneous or staggered premieres. As consumer preferences evolve, the collaboration between OTT and theatrical channels is reshaping the future of entertainment, offering greater flexibility and accessibility while preserving the unique value of both experiences.

A. NETFLIX, AMAZON PRIME VIDEO, JIOCINEMA, HOTSTAR STRATEGIES

Here’s a refined and structured overview of OTT & theatrical synergy, including strategic approaches by Netflix, Amazon Prime Video, and JioHotstar (successor to JioCinema and Hotstar), along with illustrative case studies and film examples.


1. OTT & Theatrical Synergy: A New Distribution Paradigm
OTT platforms and theatrical releases are increasingly viewed not as competing channels, but as complementary tools. Theatrical runs can build cultural impact and prestige, while OTT ensures wider reach and longer tail viewership. This synergy allows studios and platforms to optimize both revenue and audience engagement.


2. Netflix Strategies

  • Awards-Driven Limited Theatrical Runs
    Netflix frequently employs short theatrical releases to qualify for awards while prioritizing streaming.  Roma (2018), for example, premiered in select theaters across 42 countries just three weeks before streaming, earning 10 Oscar nominations and winning Big Three awards.
  • “Sneak-Preview” Hybrid Model
    More recently, Netflix experimented with a hybrid model for Glass Onion: A Knives Out Story—a 17-day theatrical run in 696 U.S. theaters, followed by a blackout period before streaming.
  • Major Blockbusters on IMAX
    In 2025, Netflix announced a pivot toward large-scale theatrical engagement with Greta Gerwig’s The Chronicles of Narnia reboot. The film will play exclusively on around 1,000 IMAX screens across 90 countries for up to four weeks before debuting on Netflix, supported by a robust marketing campaign.

3. Amazon Prime Video Strategies

  • Traditional Wide Release for Prestige
    Amazon broke ground earlier with Manchester by the Sea (2016), which secured a wide theatrical release (over 1,200 theaters) before streaming, earning critical acclaim and Best Picture nominations.
  • Hybrid Releases with Short Windows
    A more recent example is Red One, which had a 28-day theatrical window before streaming on Prime Video. The film grossed $175 million globally and maintained strong box office retention.
  • Expanding Indian Theatrical Footprint
    Starting in 2026, Amazon MGM Studios plans to release 3–4 Indian films theatrically each year before streaming, signaling a renewed focus on theatrical-first strategies in India.

4. JioHotstar (formerly JioCinema & Hotstar)

  • Platform Consolidation and Vertical Integration
    In February 2025, JioCinema and Disney+ Hotstar merged under the JioStar joint venture, launching JioHotstar, which now combines extensive content libraries and sports rights with vertical distribution control.
  • OTT-After-Theatrical Model in Indian Cinema
    Several Indian films have followed a traditional theatrical-first release before transitioning to streaming on JioHotstar:

• Subham (Telugu horror-comedy) – theatrical release on May 9, 2025; OTT debut on JioHotstar from June 13, 2025.
• DNA (Tamil thriller) – theatrical release on June 20, 2025; OTT streaming from July 19, 2025.
• Ronth (Malayalam crime thriller) – theatrical release mid-June 2025; OTT from July 22, 2025.
• Sweetheart! (Tamil romantic comedy)—theatrical release March 14, 2025; OTT from April 11, 2025.

  • Direct OTT Releases & Mixed Strategies
    Sarzameen (Hindi action drama) skipped theatrical release and launched directly on JioHotstar on July 25, 2025.
    Soothravakyam (Malayalam suspense thriller) was released theatrically on July 11, 2025; its OTT rights were acquired by Lionsgate Play and Amazon Prime Video in August.

5. Key Insights and Comparative Analysis

  • Netflix focuses on prestige and cultural buzz through strategic theatrical windows, with recent expansion into large-scale blockbusters to amplify global impact.
  • Amazon Prime Video balances prestige (wide releases) with efficiency (short theatrical windows), especially in markets like India.
  • JioHotstar benefits from full vertical integration, enabling flexible release strategies—from traditional theatrical runs to direct OTT premieres—tailored to regional content and audience preferences.

6. Case Study Highlights

  • Roma (Netflix): Prestige-driven theatrical release, Oscar recognition.
  • Glass Onion: Hybrid sneak-preview model.
  • Narnia Reboot: IMAX-first strategy.
  • Manchester by the Sea (Amazon): Traditional theatrical-first success.
  • Red One: Short-window hybrid release.
  • Subham, DNA, and Ronth: Indian films with clear theatrical-to-OTT trajectories.
  • Sarzameen: Direct OTT premiere.
  • Soothravakyam: Theatrical release with multi-platform OTT licensing.

B. PRE-RELEASE BUZZ VS. POST-RELEASE ENGAGEMENT

Below is a structured analysis of OTT & Theatrical Synergy: Pre-release Buzz vs. Post-release Engagement, including international and national (Indian) case studies, film examples, and a summary.


OTT & Theatrical Synergy:

Pre-release Buzz vs. Post-release Engagement

1. The Concept

  • Pre-release Buzz:
    The excitement and anticipation generated before a film’s release are driven by marketing, trailers, social media, star cast, and exclusive previews—especially through theatrical premieres.
  • Post-release Engagement:
    The sustained interaction and discussion after the film’s release, primarily supported by OTT availability, social media trends, user reviews, memes, and repeat viewing.

Synergy:
Theatrical releases create event-like anticipation (buzz), while OTT ensures the film remains in the cultural conversation, accessible to broader audiences for a longer period (engagement).


2. International Case Study: Glass Onion: A Knives Out Mystery (Netflix, 2022)

  • Pre-release Buzz:
    Netflix gave the film a limited one-week theatrical run in major markets before streaming. The star-studded cast, mystery genre, and director Rian Johnson’s reputation generated massive media and social media attention.
    Result: Sold-out shows, headlines about Netflix’s rare theatrical move, and Oscar buzz.
  • Post-release Engagement:
    After streaming began, the film trended globally on Netflix, sparking meme culture, fan theories, and extensive online discussion. The accessibility on OTT enabled viewers who missed the theatrical window to watch and discuss it, keeping the film relevant for weeks.

3. National (Indian) Case Study: Jawan (2023)

  • Pre-release Buzz:
    Starring Shah Rukh Khan, Jawan had a massive promotional campaign, with trailers, music launches, and nationwide media coverage. The theatrical release was treated as a cultural event; advance bookings broke records.
  • Post-release Engagement:
    After an extremely successful theatrical run, the film debuted on Netflix. The OTT release sparked renewed conversations, with fans dissecting plot twists, sharing clips, and introducing the film to new audiences who hadn’t seen it in theaters. The #JawanOnNetflix trend brought the film back into the spotlight, amplifying its lifecycle.

4. Comparative Examples

  • International:
    • Roma (Netflix): Limited theatrical run for Oscar buzz, then global post-release discussion upon streaming.
    • Dune (Warner Bros.): Simultaneous release in theaters and HBO Max. Pre-release anticipation for visuals, post-release engagement focused on accessibility and rewatchability online.
  • National (India):
    • RRR (2022): Extensive theatrical campaign, followed by viral OTT popularity on Netflix and ZEE5, which reached international audiences and fueled post-release social media trends.
    • Shershaah (2021): Skipped theatrical release due to COVID-19 but leveraged OTT (Amazon Prime Video) for post-release engagement, with songs and scenes trending long after launch.

5. Summary

  • Pre-release Buzz is most effectively built through theatrical events, media campaigns, and exclusivity, making the release an “event.”
  • Post-release engagement thrives on OTT platforms, which provide longevity and accessibility and encourage ongoing discussions, memes, and repeat viewing.
  • The synergy of these strategies maximizes both box office returns and long-term popularity, as seen in both international and Indian contexts.

In essence:
Theatrical releases ignite anticipation and cultural excitement, while OTT platforms ensure films remain relevant, discussed, and accessible—prolonging their impact well beyond opening weekend.

Introduction

The English word “creativity” comes from the Latin term “creare,” meaning “to create, make”; its derivational suffixes also come from Latin. The word “create” appeared in English as early as the 14th century, notably in Chaucer, to indicate divine creation. However, its modern meaning as an act of human creation did not emerge until after the Enlightenment.

Most of the people connect creativity with artistic tasks such as writing a novel, painting a picture, or composing music. While these are all creative activities, not all creative thinkers are artists. Many jobs need creative thinking, including positions in the worlds of business, science, and other specialized fields. Creativity is nothing but the process of creating something unique and new. Therefore, creative thinking is the ability to identify something like a conflict between employees, a data set, or a group project in a new way. Employers in all industries want employees who can think creatively and bring new viewpoints to the workplace.

It’s significant to share your creative skills with forthcoming employers. When applying for jobs, make sure to emphasize your capacity for original thought. To achieve this, you first need to recognize your creativity.

Definition

According to Maria Popova, Brainpickings, “Creativity is a combinatorial force: it’s our ability to tap into our ‘inner’ pool of resources—knowledge, insight, information, inspiration, and all the fragments populating our minds—that we’ve accumulated over the years just by being present and alive and awake to the world and to combine them in extraordinary new ways.”

According to Rollo May, “Creativity is the process of bringing something new into being. Creativity requires passion and commitment. It brings to our awareness what was previously hidden and points to new life. The experience is one of heightened consciousness: ecstasy.” Rollo May.

Sternberg & Lubart, Defying the Crowd, “A product is creative when it is (a) novel and (b) appropriate. A novel product is original, not predictable. The bigger the concept and the more the product stimulates further work and ideas, the more the product is creative.”

I. Introduction to Creativity

A. The importance of creative processes

Introduction

There is a common concept of left-brain and right-brain that respectively control logical thinking and creative thinking. However, it turns out that more than two parts are at work in the creative brain, and we develop creative ideas through a more sophisticated process.

We are not born with a figurative light bulb on top of our heads. A real cognitive process is involved in producing new ideas and transforming old ideas into something new. It’s called the creative process. We all have creative potential inside of us. Somehow, in some way, we make decisions and act on them by using creativity. A lot of our daily problems need a creative solution.

Have you ever wondered how to start your book, your song, or your creative business? Do you ever find yourself sitting in front of a blank page, unable to even begin? James Taylor is a UK-based, award-winning creativity expert and entrepreneur who has spent years trying to find answers to those questions. After refining his craft and reading nearly every academic article based around creativity and its process, he has done creative everywhere the favor of translating the answer into 5 bite-sized stages: preparation, incubation, insight, evaluation, and elaboration. These five stages will help you stretch out that creative muscle and position you for success. Creativity can, however, be increased through a combination of the creative process, which is composed of five individual steps.

1. Preparation Stage

An idea can come from anywhere. It feels like it happens spontaneously, but that’s actually very rarely the case. Most of the time, ideas come from consumption. The more you consume, the more inspiration you can draw from.

For example, if you are a musician, you are absorbing a lot of the music that is inspiring you to create this new piece. If you are an artist, you are looking at other artists’ work in the area that you are looking at creating something in. At this stage, you are trying to absorb as much information as possible because this information will go into your subconsciousness, where it is very important for the second stage, or second level.

2. Incubation stage

A second stage in the creative process also proposes that the same basic activities are involved in creative and routine problem solving. This is an extremely important stage because sometimes it can take days, or weeks, or months, or sometimes even years.

According to Taylor, “This is an extremely important stage because sometimes it can take days, or weeks, or months, or sometimes even years.” “Now the interesting thing about the incubation stages is that to a certain extent it is not really under your control how long that stage will take. It is something you cannot really rush.” This is because the incubation stage involves thoroughly working over the resources you’ve collected, examining concepts, looking at them from different angles, and experimenting with how they fit together.

3. Insight Stage

Taylor mentioned that often you might find these moments come up while doing some sort of low-level activity. Don’t worry—you won’t have to do any extreme sports for them to appear! “This is the classic ‘a-ha!’ moment, or the “eureka!’ moment. Interestingly, this moment is likely the smallest part of the creative process in terms of time, yet it is the one that films are made about. What you’ll tend to find is that you’ll have lots of series of these little insights and moments.”

A quick thing here is that they most often happen when you are doing some kind of low-level physical activity: going for a shower, driving a car, or having a walk. “This is because your subconscious has basically been bubbling away, and in this insight stage you’ll realize things will start percolating to the top, bringing things to the forefront, and that’s where you’ll start getting these insights.”

4. Evaluation stage

This could be the most difficult stage for some creatives. We tend to have a lot of ideas all of the time, but it doesn’t mean they are all good ideas. In this stage, you’ll have to learn to sift through them all to find the most viable option.

“There are different ways of thinking of that. You can fast forward and ask yourself, “Is this a new or novel idea, or is it just a rehashed idea that has been done before?” Taylor went on to say that this is where having a group of trusted peers or colleagues might come in handy. Getting outside opinions might really help in deciding whether or not an idea is worth pursuing. “We have a limited amount of time in life, so you’ve got to decide what you’re going to do with your life and how you’re going to spend it.”

5. Elaboration stage

This is the most important stage of the creative process. This is the moment we take action.” Edison said, ‘1% inspiration and 99% perspiration.” This is the 99% perspiration bit. This is where you’ve had the ideas for songs, you’ve written the songs, you have the first bit, but this is the editing, the re-editing, the mixing, the marketing, getting it out there, and telling the story.”

Taylor is incredibly passionate about this stage, and for good reason. You can’t just spend your time coming up with the ideas and not following through with the work. We have a responsibility to ourselves and to our creativity to show up, or we’ll end up with a pile of half-finished projects.

“Some days will be easy, and some days you’ll get more of these insights than others as well, but you’ll have to start by doing the work and building in some kind of system for yourself that works around your life and what you’re out to do.”

Next time you’re seated in front of a blank page, or you feel that inspiration hasn’t yet struck, remember that creativity is a process. Put yourself in new environments, immerse yourself in great work, and surround yourself with catalysts to launch yourself into your own creativity.

Surrogate Advertising

Introduction

Surrogate advertising relates to advertising by duplicating the brand image of a product to promote another product of the same brand, the advertising for which is otherwise banned. In such advertisements, though the companies directly advertise a different product, they intend to advertise indirectly a banned product such as liquor or tobacco. Consumers associate such advertisements with the corresponding banned product. The products are thus indirectly advertised. This type of advertising uses a product of a fairly close category, such as club soda or mineral water in the case of alcohol, or products of a completely different category (for example, music CDs or playing cards) to hammer the brand name into the heads of consumers.

The banned product (alcohol or cigarettes) may not be projected directly to consumers but rather masked under another product under the same brand name, so that whenever there is mention of that brand, people start associating it with its main product (the alcohol or cigarette). In India there is a large number of companies doing surrogate advertising, from Bacardi Blast music CDs and Bagpiper Club Soda to Officer’s Choice playing cards.

India is not first when it comes to banning controversial adverts or adverts showcasing alcoholic drinks, cigarettes, or other tobacco products. Surrogate advertising first started in Britain, where housewives started protesting against the liquor company and forced them to promote fruit juice and soda under the same brand. This has led to a steady inflow of surrogate advertising in India.

Who oversees ‘surrogate ads’ in India for alcohol?

Activists seek government action against those who advertise liquor brands

Mineral water, sodas, music, and sports franchises are among the common avenues taken by alcohol manufacturers to advertise their brands. So what is new in this?

Nothing. But what is befuddling those in power as well as the moral police is how “”surrogate advertising’ can be monitored in the absence of overarching legislation.

At the Centre, the buck is passed on between ministries and sometimes to respective states. This is even as consumer activists urge the government to frame central legislation, even if effective implementation will rest with the state governments. In fact, the self-regulating Advertising Standards Council of India (ASCI) already has a code for brand extensions.

“Surrogate advertising is not allowed as per law, but we have been urging the government to start taking legal action against liquor brands that violate these providers and are habitual offenders,” said Bejon Misra, founder of the Consumer Online Foundation.

Regulation of such advertising appeared to fall under the jurisdiction of at least five ministries—Consumer Affairs, Health, Information & Broadcasting (I&B), IT, and Social Justice and Empowerment. “There are ambiguous court rulings on the matter where alcohol manufacturers state that the logo is the identity of the brand and using it on products other than alcohol is a legitimate business activity. So it’s mainly down to legal interpretation and in time will need to be settled by courts to establish a stated position,” a senior government official told Business Line.

He added any concerted effort to clamp down on the practice would have to be led by the Health Ministry, which took the lead in curbing cigarette/tobacco advertising.

Another official pointed out that Section 2(r) of the Consumer Protection Act, 1986, outlined ‘unfair trade practices’ for sales maximization of a good or service and provided legal recourse for consumers if suppliers were found to have engaged in misleading advertisements.

“Though it does not explicitly mention surrogate advertising, sellers could be prosecuted depending on how a case is presented. That said, if mineral water advertised by an alcohol company meets requisite standards, it’s a murky area,” he said, adding new legislation might not serve any purpose and could lead to inter-sectoral conflicts.

Direct advertising of alcoholic beverages is banned in India, but private channels have often permitted surrogate advertising.

“We need to have a comprehensive Central Law that regulates various aspects of alcohol consumption and promotion,” said Monika Arora, Health Promotion & Associate Professor, Public Health Foundation of India.

Source: https://www.thehindubusinessline.com

Surrogate advertising products in India

The impact of surrogate advertising

Brand experts define it as the leveraging of existing brand equity, while agencies call it an exercise to create awareness and brand recall of products on the negative list. The government, on the other hand, comes down heavily on the intriguing concept of surrogate advertising. The anti-tobacco lobby is going strong worldwide, and the list of negative products in every country is on the rise.

“Surrogate advertising is a reflection of the hypocritical society that we live in. Some products are good enough to be sold but not good enough to be advertised. A marketer has to sell his product and will find means to promote it. I don’t blame him.”

Says Santosh Desai, Executive Vice President, McCann Erickson, “There seems to be an inherent double standard in the government’s policy. If something is unrecognizably bad and cannot be advertised, then why sell it at all and earn tax revenue on it as well? I feel that the case of the government allowing liquor companies to operate but not advertise is like a baby who is given birth to but is thereafter not looked after.”

Meenakshi Madhvani, CEO of Carat, a company that manages brands such as Bacardi and UDV, concurs. “If selling liquor is a legal business, then why is advertising liquor not?” she questions. “This is a case of the government having its cake and eating it too. If liquor brings in so much revenue to the government, why should it not be advertised?” she adds.

Although the withdrawal of surrogate liquor advertisements would cause a decline in the revenues for television channels, the drop would not be as substantial. Says Madhvani, “As a whole, the spending on liquor as a category is not as much. Therefore the impact on ad revenues would not be very marked.’

But the views of Zia Mody, Advocate, and member of ASCI differ. “Liquor companies have found an indirect way of getting over the ban on advertising through surrogate advertising. The government may allow certain vices, but that does not mean that it would be forced to encourage them as well. Advertising liquor would be encouraging it.”

Bharat Kapadia, Associate Publisher and Partner, Chitralekha Group, and member of ASCI, opines, “Liquor companies try to find loopholes to advertise their brands. Via this surrogate advertising, consumers can be misguided, which is why the I&B ministry needs to take care of such advertising.”

Raj Nayak, Executive VP, Star Network, also touches upon the same. “Although we would follow the government’s final take on this, the distinction between surrogate advertising and a real brand extension is what is called for.”

Amongst liquor majors that have been advertising their line extensions are Bacardi International and Radico Khaitan. While Bacardi has been advertising its Bacardi Blast Summer Party Music Album,” Radico Khaitan has started marketing apple juice under the 8 PM brand. While the McDowell Mera No. 1 ad campaign is used to sell their soda, United Breweries is selling its mineral water under the “Kingfisher” brand.

A. Social (CSR) Advertising

Introduction

Social marketing was “born” as a discipline in the 1970s, when Philip Kotler and Gerald Zaltman realized that the same marketing principles that were being used to sell products to consumers could be used to “sell” ideas, attitudes, and behaviors. Kotler and Andresen define social marketing as “differing from other areas of marketing only with respect to the objectives of the marketer and his or her organization. Social marketing seeks to influence social behaviors not to benefit the marketer, but to benefit the target audience and the general society.” Social marketing is an approach used to develop activities aimed at changing or maintaining people’s behavior for the benefit of individuals and society as a whole.

So what, exactly, is social marketing? In the Social Marketing Report, it’s defined as “the application of commercial marketing techniques to social problems.” It means to take the same principles used in selling goods—such as shoes, television shows, or pizza—to convince people to change their behavior.

What does that mean? Well, instead of selling hamburgers, you’re selling a life without heart attacks. Instead of convincing teenagers to buy blue jeans, you’re convincing them to buy the advantages of postponing pregnancy.

If you are selling blue jeans, you’re still trying to influence behavior—you’re convincing people they need to wear your jeans, either for comfort or for style or for value. So then, what is the difference between social marketing and commercial marketing?

Definition

Before we focus on social marketing, we should clarify the nature of marketing as both an academic discipline and a management practice.

The definition offered by Kotler, Roberto, and Lee (2002, p. 5) is a useful one:

“The use of marketing principles and techniques to influence a target audience to voluntarily accept, reject, modify, or abandon a behavior for the benefit of individuals, groups, or society as a whole.”

Social marketing relies on voluntary compliance rather than legal, economic, or coercive forms of influence.

Kotler et al. (2002) argue that social marketing is often used to influence an audience to change their behavior for the sake of one or more of the following:

  • Improving health—health issues
  • Preventing injuries—safety issues
  • Protecting the environment – environmental issues
  • Contributing to the community involves issues of community-building.

Lazer and Kelley (1973, p. ix) define social marketing as follows:

Social marketing is concerned with the application of marketing knowledge, concepts, and techniques to enhance social as well as economic ends. It is also concerned with analysis of the social consequences of marketing policies, decisions, and activities.”

Corporate Social Responsibility (CSR) is a continuing commitment by businesses to integrate social and environmental concerns into their business operations. Changes in the global environment increasingly challenge businesses around the world to look beyond financial performance and to integrate social and environmental concerns into their strategic management.

India traditionally viewed CSR as a philanthropic activity prior to the Companies Act 2013. And in keeping with the Indian tradition, it was believed that every company has a moral responsibility to play an active role in discharging its social obligations, subject to its financial health. In the early 90s, Mahatma Gandhi introduced the concept of trusteeship, helping socio-economic growth. Family values, traditions, culture, and religion influenced CSR.

On 29th August 2013, the Companies Act of 2013 replaced the Companies Act of 1956. The New Act has introduced far-reaching changes that affect company formation, administration, and governance, and it incorporates an additional section, i.e., Section 135—a clause on Corporate Social Responsibility obligations (“CSR”) for companies listed in India. The clause covers the essential prerequisites pertaining to the execution, fund allotment, and reporting for successful project implementation.

India became the first country to legislate the need to undertake CSR activities and mandatorily report CSR initiatives under the new Companies Act 2013. This is the beginning of a new era for CSR in India.

Companies to implement their CSR in PROJECT MODE are:

Suggested Areas of Activities for (As per Schedule VII)                                                                 

  • Eradicating hunger, poverty and malnutrition; promoting health care including preventive health care and sanitation, including contribution to the Swachh Bharat Kosh set-up by the Central Government for the promotion of sanitation; and making available safe drinking water;
  • Promoting education, including special education and employment-enhancing vocation skills especially among children, women, the elderly, and the differently abled and livelihood enhancement projects;
  • Promoting gender equality, empowering women, setting up homes and hostels for women and orphans; setting up old age homes, day care centers, and such other facilities for senior citizens, and taking measures for reducing inequalities faced by socially and economically backward groups;
  • Ensuring environmental sustainability, ecological balance, protection of flora and fauna, animal welfare, agroforestry, conservation of natural resources, and maintaining the quality of soil, air, and water, including contributions to the Clean Ganga Fund set up by the Central Government for the rejuvenation of the Ganga River;
  • Protection of national heritage, art and culture, including restoration of buildings and sites of historical importance and works of art; setting up public libraries; promotion and development of traditional art and handicrafts;
  • Measures for the benefit of armed forces veterans, war widows and their dependents;
  • Training to promote rural sports, nationally recognized sports, Paralympic sports and olympic sports;
  • Contribution to the Prime Minister’s National Relief Fund or any other fund set up by the Central Government for the socio-economic development, relief, and welfare of the Scheduled Castes, Scheduled Tribes, other backward classes, minorities, and women;
  • The Central Govt. approves and provides contributions or funds to technology incubators located within academic institutions.
  • Rural development projects
  • Slum area development.

CSR Advertising in India

TATA Tea Jaago Re

The tagline “jaago re” from TATA Tea is considerably encouraging to the public, as it conveys a positive message to “awaken” the people of India towards their real aims and duties.

Coca-Cola Mehman Nawaaji

Coca-Cola is taking ‘mehman nawaazi’ to a new level with #CokeNawaazi, where vada pav is being served with Coke, paranthas are being had with Coke, and 4’s and 6’s are being celebrated with shots of Coke.

P & G (Padegha, India; Badegha, India)

Shiksha is now in its 7th year and is back with an even stronger commitment—to take its current impact of 150,000 children to the 200,000 mark. On May 7, 2011, Shiksha held an event in Delhi. Shiksha ambassadors Anupam Kher and Dr. Kiran Bedi, as well as recent Shiksha supporter Jacqueline Fernandes, unveiled the plan of the Shiksha-RTI School in Purkhas, Haryana. This school is one of the 20+ schools that Shiksha is building in 2010-11 alone.

B. Advocacy Advertising

Introduction

Advocacy advertisements are communications intended to bring awareness to a certain problem. It is a kind of advertisement that is used in order to influence the public on political or social matters. Moreover, it is also concerned with the propagation of ideas and the explanation of controversial social issues that are deemed important in public policy terms.

Advocacy advertising is commonly regarded as a subdivision of corporate or institutional advertising. Contrasting commercial advertising, advocacy advertising is considered to be undertaken in the interest of a group or the public and naturally does not promote a product or service. Funding for advocacy advertising can be provided by nonprofit organizations, corporations, or private advocacy groups.

Advocacy advertising in India

Indian brands are taking advantage of the new call of social selling, employer branding, social hiring, personal branding, social PR, etc., which are the key principles of brand advocacy. Nowadays every brand begins changing their colors. Literally. Well, we are referring to the sudden switch to saffron, white, and green (India’s flag colors) in their marketing communication to celebrate Independence Day. But beyond these surface-level changes, there are a few brands that go the extra mile and design a campaign to aptly represent the spirit of independence and what it means for India.

Incorporating the brand message into the advertisement adds a unique touch. Undoubtedly, these campaigns continue to resonate with Indian consumers even after their discontinuation. So here’s a look at a few such memorable campaigns that evoke a strong sense of patriotism in every Indian.

Bajaj (‘Buland bharat ki buland tasveer – Hamara Bajaj’)

In this ad, Bajaj encapsulates the aspirations and spirit of a pre-liberalization India through its flagship scooter brand, Chetak. A simple middle-class family riding the scooter, a Parsi man wiping it clean, and yet another family worshipping the scooter before the first ride—each of these instances resonated well with the Indian consumer and positioned it as the perfect family two-wheeler. In fact, the sense of belonging this ad created was so strong that even today, the words ‘Buland bharat ki buland tasveer – Hamara Bajaj’ immediately make the Indian consumer nostalgic.

Paytm

Theme: Freedom is realizing that you have a choice.

Year of release: 2016

Hope and the possibility of a corruption-free India are the messages that mobile payments and the e-commerce platform Paytm convey through this ad film. It narrates three instances where it seems like there would be an exchange of money as a bribe but, in a pleasant twist, shows an exchange of emotions instead. “Jab cash nahi hoga, toh corruption kaise hoga?” The last frame of the ad urges people to work towards India’s freedom from corruption by encouraging them to use less cash and more digital payments.

Note: Interestingly, three months later, the government of India announced the demonetization of high-value currency, with one of the objectives being a cash-free economy.

Introduction

An advertisement is a communication that promotes a product or a facility or gives information to the public. Advertisements may take many forms, such as press advertisements in newspapers or magazines, television and radio advertisements, or signs in shops. Advertisements are mainly made to encourage consumers to buy exact products or services.

Advertising can be directed at the final user of a product or service, in contrast to advertising aimed at businesses and industries. Sometimes customer advertising is directed toward a purchaser of a product or service who will then pass on that product or facility to its ultimate consumer, as in the holder of pet food advertising. Most radio, television, newspaper, and magazine commercials and advertisements are customer advertising.

The consumer is the final user of a product or service. The consumer is not always the customer of a product. In the case of pet food, for example, the pet is officially the consumer because it is the final user, although of course the advertising is aimed at the pet owner.

Consumers are careful to be the users of the final product.

This format is in contrast to industrial advertising, which is particularly directed and marketed toward businesses. The aim of consumer advertising is to introduce, or sometimes re-introduce, products and services to families and private individuals for daily use and expenditure. These can be automobiles for family use, household appliances, home electronic devices, clothes, books, movies, and now just about anything else normally found in an individual or family household.

Advertising is often designed to be strategic and manipulative. By targeting a specific demographic, consumer advertising is able to connect with the common hopes, fears, dreams, and needs of that target group and use that correlation to create product desire. This is often seen through the use of sexuality and provoking images directed at certain genders, language and images pleasing to a specific age variety, highlighted beliefs and values planned to be held in common between manufacturers, businesses, and consumers, and several other methods of consumer advertising.

An effort is made to appeal to a consumer’s sense of self-image and wish to appear confident to other people, despite whether the product actually does what the advertising claims. Though the result may be somewhat misleading advertising, these methods are habitually quite effective.

Consumer advertising refers to advertising on purchaser-generated media. This phrase typically refers to sponsored content on blogs, wikis, social networking websites, and personal websites. This sponsored substance is also known as sponsored posts, paid posts, or sponsored reviews. The substance includes links that point to the home page or precise product pages of the website of the sponsor. Examples include Diet Coke and Mentos videos and Star Wars fan films.

This is advertising. Your mind is being sold to these advertisers. Advertising is the promotion of products or services. This process provides companies with a method to present their products to consumers, thereby maximizing their sales potential. Without advertisement, not a single firm or company can develop in this world of competition.

Like all other aspects, advertising has both positive and negative points. If it has positive features that impact society socially and economically, then it also has negative impacts. Advertising a public interest program positively impacts society, while featuring a sensationalized woman in an advertisement negatively affects societal perceptions.

Advertising can also be used to tell the public about social events like concerts and performances. Charities can use media to advertise about the illnesses and persuade people to offer assistance. Social organizations and NGOs can use the means of advertisement for promoting their campaigns. Looking for help through advertisement during epidemics or natural calamities can help a lot.

So, I can say that advertising has positive as well as negative impacts on society. We should focus more on balancing what is required and what is really not required. Advertisement can create satisfaction but can also simultaneously create unhappiness. Our society and the marketing of products depend so badly on advertisement that even its negative impact on society can’t compensate for the many positive social and economic effects.

Types of Consumer Advertising

A successful advertising campaign will spread the word about your products and services, attract customers, and generate sales. Whether you are trying to persuade new customers to buy an existing product or beginning a new service, there are many options to choose from. The following list is an introduction to an advertising campaign that you could use.

1. Newspaper: Newspaper advertising can expose your business to a wide range of customers. Display advertisements are to be found throughout the paper, while classified schedules are under subject headings in a precise section.

If your products require to be displayed in color, then glossy advertisements in a magazine can be ideal, though they are normally more expensive than newspaper advertisements.

3. Radio: Advertising on the radio is a fantastic way to reach your target audience. If your target market listens to a particular station, then regular advertising can draw new customers.

4. Television: Television has a widespread reach, and advertising this way is perfect if you supply to a large market in a large area. Television advertisements have the advantage of sight, sound, movement, and color to influence a customer to buy from you. They are mostly useful if you need to reveal how your product or service works.

Directories

Directories catalogue businesses by name or category (e.g., Yellow Pages phone directories). Customers who refer to directories have often previously made up their mind to buy; they just need to make a decision about who to buy from.

Outdoor and Transit

There are numerous ways to advertise outside and on the go. Outdoor billboards can be signs by the road or hoardings at sports stadiums. Transit advertising can be posters on buses, taxis, and bicycles. Large billboards can get your message across with a big impact.

Direct Mail

Direct mail means writing to customers directly. The more specific your mailing list or distribution area, the more of your target market you will reach. A direct mail approach is more personal, as you can choose your audience and plan the timing to suit your business.

Online

Other ways to advertise your business online include promoting your products or services on social media sites, blogs, search engines, and other websites that your target audience visits.